Piet te Lintum (1909–1985) was a versatile artist from the Achterhoek. He worked as a columnist, illustrator, sketch artist and painter, capturing a vast number of landscapes and village scenes of his native region. For this reason, he is often referred to as the “painting ambassador of the Achterhoek”.
Pieter (Piet) te Lintum was born on 13 January 1909 in Aalten, the son of Jan te Lintum, a grocer, and Johanna Christina Adolphina te Giffel. The family lived at Dijkstraat 4, the premises occupied by the Van den Dobbelsteen bakery until 2022. On 15 August 1942, he married Elisabeth Maria Schenk, with whom he had two children.
Talent
From an early age, Te Lintum demonstrated an exceptional talent for drawing. By the age of eleven, he was already producing accurate, lifelike portraits. He received his first lessons from an artist who had just graduated from art academy. He also spent a year taking correspondence courses from an institute in Paris.
At eighteen, he attended classes at the Kunstnijverheidsschool (School of Arts and Crafts) in Arnhem, where he was taught by Hendrik Valk and Gerard van Lerven. Following this, he studied for three years at the Rotterdam Art Academy under David Bautz and Herman Mees. His most influential master, however, was Professor Johannes Hendricus Jurres at the Rijksschool voor Kunstnijverheid (State School of Arts and Crafts) in Amsterdam.
Career
After finishing his education, Piet te Lintum built a multifaceted career as an illustrator for various publishing houses. Among other projects, he drew the illustrations for the adventures of Aornt Peppelenkamp, written by Frans Roes under the pseudonym Herman van Velzen. He also worked for the Misset publishing house in Doetinchem (including for the newspaper De Graafschapbode) and created comic-strip-style columns for the Tubantia daily newspaper. In addition, he designed commercial advertising work, postcards and painted murals.
Piet te Lintum is particularly renowned for his paintings of dilapidated buildings. He shunned the modern and rectilinear. For him, the rule was: the older and more decayed the building, the more beautiful the picture as a whole. In doing so, he was not merely interested in the romantic imagery of neglected houses and farms; through his works, he also sought to draw attention to local history.
Even back then, Te Lintum watched with sorrow as an increasing number of old, historic buildings were demolished to make way for the redevelopment of the Achterhoek landscape. It is for this very reason that Bernard Schlüter’s small cottage in Südlohn, Germany, and the Kuupershuusken in Bredevoort were rebuilt brick by brick—all for the sake of preserving the rich local history.
Legacy
On 1 May 1985, Piet te Lintum passed away in Winterswijk. His work lives on in the memory of many, not least thanks to the book Wat ik te zeggen heb… (What I have to say…) by Hans de Beukelaer, which pays tribute to his life and work. More than 500 of his pieces were tracked down for the publication. Although a large portion of his murals have not withstood the test of time, his paintings of farms, buildings and regional views remain lasting testaments to his love for the Achterhoek.
An article about Piet te Lintum was published in the March 2021 issue (Oer/39) of the cultural-historical magazine for the Achterhoek and Liemers. This magazine is still available from the ECAL (Heritage Centre Achterhoek and Liemers) in Doetinchem.
Leonard Roelvink was born on 30 April 1833, the son of Arnoldus Florentinus Roelvink, Mayor of Aalten, and Elzabé Maria Theodora ten Cate. On 14 November 1870, he married Christina Paschen in Winterswijk, where she had been born on 27 March 1848.
In 1857, Roelvink published his legal dissertation under the title Theses juridicae inaugurales with the publishing house Post Uiterweer in Utrecht. Four years later, in 1861, he succeeded his father as Mayor of the municipality of Aalten.
Roelvink lived in the villa at ’t Zand in Bredevoort, which is known today as Sint Bernardus. Every day, he travelled to Aalten by carriage, just as his father had done before him. He was fiercely opposed to the arrival of the railway line to Aalten, fearing that his horses would be startled by the “steaming train monster”.
Leonard Roelvink passed away from a stroke on 3 March 1886. The municipal council was just about to meet and was waiting for the arrival of its chairman when a doctor came to break the sad news of his passing. He was buried at the old cemetery on Prins Mauritsstraat in Bredevoort.
Following his death, six prominent residents of Aalten addressed a letter to the Minister of the Interior. They took the opportunity to express their concerns regarding what they considered to be administrative malpractice within the municipality, which they attributed to the policies—or lack thereof—of the deceased mayor. In their letter, they explicitly stated that they did not wish to influence the appointment of a new mayor, but at the same time indicated that, in their view, “the dismal state of affairs” in Aalten was partly due to the fact that the office had passed from father to son. Among other things, they complained of deficient education, poor roads, excessive alcohol consumption, and unlawful child labour. The six men pleaded for the appointment of a strong successor who could restore order. Their grievances were taken seriously by both the Minister and the King’s Commissioner.
Gerhardus Franciscus (Gerard) Tebroke was born on 9 November 1949 in Aalten, the second child in a family of four sons and one daughter. His parents, Hendrik Bernard Tebroke (1912–1987) and Grada Johanna Bijvank (born 1916), both came from Eibergen, where they had married in 1944. Gerard passed away unmarried on 19 March 1995.
As a child, Gerard Tebroke from Aalten was so stiff that he was exempted from gymnastics classes in primary school. Nevertheless, he became one of the best Dutch athletes ever in the 5,000-metre and 10,000-metre events.
Tebroke achieved many successes, but because he often pushed his body too hard during training, he was frequently injured and missed important sporting events, such as the Olympic Games in 1972 and 1976. However, his speed for that era was unprecedented. He held the Dutch record in the 10,000 metres for over 18 years and in the 5,000 metres for more than 22 years.
In 1982, he decided to bid farewell to the sport. He retreated to a small farm in Silvolde with his dog and sheep, leading a reclusive life. Gerard Tebroke passed away in 1995 at the age of 45. Since then, the biennial Gerard Tebroke Memorialloop (a memorial run) has been held in Aalten as a tribute to him.
Hendrickje Stoffels or Hendrickje Jegers (Bredevoort, 1626 – Amsterdam, July 1663) was a domestic servant and art dealer. For a period, she was the official employer of the Dutch painter Rembrandt van Rijn. She was also Rembrandt’s romantic partner, the mother of one of his three daughters (all of whom were named Cornelia), and possibly one of his models.
Hendrickje Stoffels was born in Bredevoort in 1626 as the daughter of Stoffel Stoffelse and Mechteld Lamberts and grew up in the Muizenstraat. Her father was a sergeant under a captain from the Ploos van Amstel family. Stoffel was also a hunter for the castle at Bredevoort and was therefore also called Jeger. In common parlance, his children were called ‘Jegers’, but in official documents they were always referred to as ‘Stoffels’ (meaning son or daughter of Stoffel).
Hendrickje had one sister and three brothers: Martijne Jegers, Hermen, Berent, and Frerick. She may also have had a sister named Margriete.
Hendrickje’s father almost certainly passed away in July 1646, possibly as an unidentified victim of the gunpowder tower explosion in Bredevoort. It was likely due to this event that Hendrickje left for Amsterdam.
Rembrandt’s beloved
From that time on, Hendrickje entered service as a maid for the already famous painter Rembrandt van Rijn, in what is now the Rembrandt House on Jodenbreestraat in Amsterdam. On July 16, 1649, Hendrickje was back in Bredevoort; she is mentioned as a baptismal witness in the Bredevoort Baptismal Register. It is possible that Rembrandt made the journey to Bredevoort with her. This may be evidenced by several etchings by Rembrandt from 1649 and 1650, the locations of which are unknown.
Later, Hendrickje became Rembrandt’s partner, and in 1654 they had a daughter together, Cornelia. In 1658, she started an art shop together with Titus, Rembrandt’s son from his earlier marriage to Saskia van Uylenburgh, where they sold paintings, drawings, copper engravings, woodcuts, and curiosities.
There are several paintings and prints by Rembrandt in which Hendrickje Stoffels is recognized. However, there is no single documented image of her. Furthermore, some experts believe that the portraits identified as Stoffels exhibit a wide variety of facial features. In any case, there are a number of works by Rembrandt from the period in which Stoffels lived with him that possibly depict the same woman.
In 1663, a plague epidemic struck Amsterdam. Hendrickje Stoffels was likely also fatally affected by this disease, as she died in July of that year. She was buried on July 24, 1663, in a rented grave in the Westerkerk in Amsterdam.
Statue Hendrickje Stoffels on ‘t ZandPlaque at the birthplace of Hendrickje Stoffels in Muizenstraat
Statue on ‘t Zand
On ‘t Zand in Bredevoort stands a statue of Hendrickje Stoffels, created by sculptor G.J.F. (Truus) Doodeheefver-Kremer. Before creating the statue on ‘t Zand, the artist conducted research, including at the Rijksmuseum, and chose to depict Hendrickje around the age of twenty, the period when she left Bredevoort for Amsterdam. The statue was unveiled on July 7, 1977.
Town crier, better known as ‘Jan met de panne’ (Jan with the Pan)
Arent Jan te Slaa (known as Jan) was born on 22 March 1870 in Aalten, at house number 152 (Varsseveldsestraat 3), the son of Derk Hendrik te Slaa (a night watchman) and Janna Willemina te Brake. On 29 August 1895, he married Dina Geertruida Klein Hesselink (from IJzerlo, 13 September 1871) in Aalten. The couple went to live at Hofstraat 3. They had six children.
The latest news
In the 19th century, very few residents of Aalten could afford to have a newspaper at home. Those wealthy enough to do so could almost every evening count on neighbours dropping by to hear the latest news. This visit did not have to be for nothing, however: guests would usually leave a block of peat under their chair as a token of appreciation.
As was common in many places, upcoming auctions were announced outside the church on Sunday mornings following the service. Usually, the schoolmaster would do this, standing on a small bench or a large stone. For official announcements from the municipality, a large noticeboard stood on the Market Square (Markt) in Aalten. For many years, new public notices were heralded by the tolling of the church bell, but this practice was abolished in 1901.
Town crier
Meanwhile, the first town crier was already doing his rounds in the village. In 1868, this was D.H. te Slaa, who, together with B.H. Wieskamp, fulfilled the role of night watchman. That they also acted as criers is evident from a note by the Mayor and Aldermen (B&W) dated 19 February 1876, in which the gentlemen were reprimanded for not going far enough. Aalten was growing, but the criers’ routes were failing to expand alongside it.
When Te Slaa passed away in 1903, he was succeeded as night watchman by his son Jan. At the time, the role of crier was not yet an official appointment, although he did already act as such. Jan te Slaa did not receive this official appointment until 1 January 1915, “and this at an annual salary of 10 guilders”.
Jan met de Panne
Through his manner of performing his duties, he acquired an almost legendary fame. To capture the public’s attention, he would strike a copper basin vigorously several times with a wooden clapper; this basin earned him the nickname ‘Jan met de Panne’ (Jan with the Pan). When the local residents came outside to hear ‘what was on the pan’, he would proudly deliver his message standing up straight.
At regular intervals, he made his rounds through the village to cry out the joys and sorrows of Aalten. He also announced the sale of meat from emergency slaughterings, made public the notices of the notary, and much else besides. He even proclaimed retailers’ special offers, such as a local fishmonger selling twelve kippers for 10 cents. He was, in a sense, a walking edition of the local Aalten Vooruit newspaper.
In early 1918, the municipal council was requested to have the crier “proclaim the news of the day in the outlying districts as well”. Crier Te Slaa stated in response that for his meagre fee of 30 cents per proclamation, he could not venture into the outlying areas, “as Aalten continues to expand, and he would very gladly satisfy all who wish to hear, provided his fee is doubled”.
On 9 November 1924, the Mayor and Aldermen of Aalten decided to abolish the position of town crier. With the dismissal of Jan te Slaa—who “owing to the abolition of the post was granted an honourable discharge as crier in Aalten”—a striking figure vanished from the village streetscape, and a characteristic piece of village life was lost.
Following his discharge, Te Slaa did continue to cry on behalf of private individuals, and this practice—though carried on by his successors—continued until after World War II.
The original pan has been given an honoured place in the Nationaal Onderduikmuseum on the Market Square in Aalten. ‘De Panne’ is also the name of the museum’s biannual magazine, named after the illustrious town crier.
‘Jan met de panne’ on Markt square in AaltenAlso on Markt squareAaltensche Courant, 25 May 1928‘Those who left us in 1935.’ – De Graafschapbode, 30 December 1935
Death
Jan te Slaa passed away on 6 August 1935 and is buried at the Old Cemetery on Varsseveldsestraatweg in Aalten.
Following his death, the Aaltensche Courant wrote:
Jan te Slaa †
On Tuesday afternoon, Mr A.J. te Slaa passed away here at the age of 65. With the passing of Jan te Slaa, a well-known figure leaves our community. Older residents will surely still remember Jan as he walked through the village, armed with pan and clapper, crying out the news. To the question: “Jan, what is amiss with the pan?” he always gave a kindly reply.
He also rendered his services to our municipality for many years as a night watchman. At New Year, the inhabitants were offered a Zutphen Almanac for sale along with the best seasonal wishes; through the price one chose to pay for this, one could simultaneously express appreciation for the work of the night watchmen.
The scope of Te Slaa’s activities was highly varied. For instance, until a few years ago, the deceased also functioned as a gravedigger and was an auxiliary postal delivery man. His role as a fish auctioneer, dating from the years of wartime mobilisation, was later continued by him in the form of a fish stall at the Thursday morning market.
Various local societies availed themselves of his services as a messenger or debt collector, whilst at important celebrations, particularly at the Sociëteit club, Jan was always the most popular waiter. For many years, he held a position on the board of the Aalten Cattle Fund (Veefonds). Since his fall from a bicycle a few years ago, Jan was never quite his old self again, and thus a well-known Aalten resident has now departed from us.
Josephus Walter Julius Driessen (Aalten, 07-01-1870 – Aalten, 12-12-1938) was a textile manufacturer who contributed significantly to the Aalten community.
Jos. Driessen is buried at the old R.C. cemetery on Piet Heinstraat in Aalten.
His significance to Aalten was evident from the report published by De Graafschapbode following his passing:
How is Mr. Driessen doing? This question was asked day after day over the last few weeks; at times the answer would be: “Today the condition is slightly more favorable”, but then again: “Things are not so well at ‘t Blik!” Yet, whoever asked the question, it was always followed by: “It is to be hoped that he recovers and may be spared for a few more years for his family, his factory, and for our municipality!” Alas, it was not meant to be! In recent days, the condition became increasingly serious, and on Monday evening, the news reached us that Mr. Jos. Driessen had passed away from us forever.
The news of Mr. Driessen’s passing will be received with great sadness in wide circles. Naturally, it is first and foremost a great blow to his family, his children, and grandchildren, for whom the deceased was the center—the great magnet within the family circle who drew everyone to him and who so loved to gather the entire family around him. With what interest and warmth he shared in the lives of his married children’s families. How all the grandchildren adored their Grandpa!
The weaving mill, founded on April 1, 1894, was brought to great prosperity over the years through his energy. From a “little weaving shed,” as Mr. Driessen himself called it, the factory steadily increased in size under his leadership and developed—in recent years with the cooperation of his sons—into the flourishing N.V. Herman Driessen & Zn., which, in addition to its weaving mill, now also has its lingerie, ready-to-wear, and knitwear departments. Until recently, it was the nearly 69-year-old director who was always the first at the office in the morning. Always punctual and hardworking himself, he rightly expected the same from the staff. Furthermore, Mr. Driessen Sr. was always interested in the interests of all who worked in the business, and not only in the interests of the employees themselves, but also in those of their families, all of whom he knew exactly. Proof of this is certainly the medical care for staff and family members as arranged at H. Driessen & Zn. The entire staff, from high to low, will learn of the passing of their eldest leader with great regret, and the eldest director will surely be greatly missed in the factory every day.
In addition to business concerns, which became increasingly large and difficult especially in the post-war years and demanded more and more of him, Mr. Driessen showed great interest in everything concerning his place of residence. Since its founding on December 14, 1898, he was a board member and very soon became chairman of the association “Aaltens Belang.” This association was especially his great love and for which he performed an immense amount of work. The chairman always came forward with new proposals and new ideas in the interest of, or for the beautification of, our town and the Achterhoek in general.
What has been achieved in the 40 years of this association’s existence is largely due to his initiative. How Mr. Driessen had looked forward for years to the 40th anniversary of A. B. on December 14 of this year!
Alas! Instead of a festive commemoration, the association is plunged into deep mourning. The board of “Aaltens Belang” will terribly miss its energetic chairman. In addition to this association, Mr. Driessen held the chairmanship of the “Oudheidkamer Aalten” and of the association for hospital nursing “Steunt Elkander,” both of which also had his warm interest. Furthermore, Mr. Driessen was a director of the Geld. Westf. Stoomtram Mij. and vice-chairman of the Supervisory Board of the Coöp. Middenstandsbank Aalten, a board member of the Prov. Geldersche V.V.V., vice-chairman of the B.V.L., and a member or board member of numerous other associations. Mr. Driessen was also briefly a member of the Provincial Council of Gelderland. Mr. Driessen would not easily be absent from a meeting of one of these associations, and telling of his character is what one of his children claimed of him: “Pa is not happy unless he has at least 3 meetings a week!” Mr. Driessen took the lead at numerous official festivals and events. His fellow members of these various committees know how every program item was prepared minute by minute, but also how the program could then finally be executed exactly and the event succeeded.
On August 30, 1930, the mayor informed Mr. Driessen that H. M. the Queen had appointed him a Knight in the Order of Orange-Nassau. This was a recognition of Mr. Driessen’s great merits, in which countless residents rejoiced along with him and his family. In September 1937, the 40th anniversary of N.V. H. Driessen & Zn., as well as the 40th wedding anniversary of Mr. and Mrs. Driessen—Beckmann, was commemorated with great splendor. On this occasion, it was again evident in a spontaneous and heartfelt manner how authorities, citizens, staff, and business relations shared in this jubilee. These were unforgettable days for Mr. Driessen, which he was fortunately still able to experience in good health.
During the last year, but especially the last few months, things were no longer going well. However difficult it was for the so industrious Mr. Driessen, he had to withdraw more and more from his work and take rest. Even sooner than initially expected, his ailment increased in severity and the end came.
With Mr. Jos. Driessen, a resident has passed away who loved his place of residence very much and to whom Aalten owes a great deal. His name will surely remain in grateful memory for many for a long time. The solemn funeral service will take place this coming Friday morning.
Arnoldus Florentinus Roelvink was born on 23 December 1789 in Borculo, the son of Bernard Andreas Roelvink and Harmina Abbink. On 12 November 1817, he married Elzabé Maria Theodora ten Cate (Neede, 21 July 1798) in Bredevoort; she was the daughter of Tieleman ten Cate and Anna Jacoba Roelvink. The couple had seven children together.
Roelvink was a notary, and following the French period, he was also appointed in 1813 as the first mayor of the municipality of Bredevoort. When this municipality was merged with Aalten in 1818, Roelvink became the mayor of the merged municipality of Aalten. He held this position until his death on 6 January 1861.
Roelvink lived with his family in the villa at ‘t Zand in Bredevoort, which is known today as Sint Bernardus. Roelvinkstraat in Bredevoort is named after him.
Christiaan Caspar Stumph was baptized in Aalten on February 14, 1745, as the son of Abraham Stumph and Elisabeth Ovink. On November 12, 1780, he married Jeanne Lesturgeon. They had at least one child, Abraham Antoni. This son drowned in the Slingebeek at the age of 34. Popular belief held that his death was related to a broken heart.
In 1795, Stumph was accused of the attack on Ten Holte and imprisoned. He was released a month later as his guilt could not be proven.
Stumph was a close friend of the Freule van Dorth, who was executed in Winterswijk in 1799. Seven hours before her death, she wrote him a letter: “My Dear Friend, I thank you very much for all the kindness shown to me in this life. I write [this] at 4 o’clock, thus 7 hours before [life] shall be taken from me by a bullet. The journey from Groenlo etc. is the cause of my death. I find in the same a reconciled God; comfort my Unfortunate Brother who is distressed for me until Death. Be so kind as to say an Eternal Farewell to all my acquaintances. J.M.C.J. van Dorth.”
Marriage Record Amsterdam, 12 November 1780
The first mayor of Aalten
Following the annexation of our country by France on July 10, 1810, the entire administrative power was restructured and centralized according to the French model. A departmental organization was established, headed by a prefect for the departments, a sub-prefect for the districts, and a maire (mayor) for the municipalities.
On March 12, 1811, Christiaan Caspar Stumph was appointed maire of the Canton of Aalten. He is therefore considered the first mayor of the municipality of Aalten. He held this position until January 1, 1818, when a new administrative regulation was established.
Stumph lived at the Smees. He was a person of independent means and an organist in Aalten, a man of integrity with many noble objectives. On May 14, 1819, at the age of 74, he married 30-year-old Caatjen Weversborg in Aalten. As far as is known, their marriage remained childless.
Christiaan Casper Stumph was a man who frequently endeavored to put an end to existing abuses. One of his greatest grievances was the practice of burial inside the church or in the churchyard within the village. Indeed, this often led to unimaginable situations. On several occasions, subsidences occurred in the church floor, and the owners of these graves failed to carry out the necessary repairs. For weeks, the pews near the hole in question would be uninhabitable. Consequently, a regulation was established stating that churchwardens, in cases of negligence, were permitted to contract out the necessary repairs, whereby the plot in question would revert to the church.
Burial mound at ‘het Smees’
The condition of the cemetery around the church was also frequently poor. Because burials had not been conducted at a “sufficient” depth for a long time, bones regularly came to the surface. A bone collector gathered these remains from time to time for two bushels of rye per year and threw them into the “Beenhalle,” a small building in the churchyard on the Market side. If the stock became too large, it was cleared out, and the walls were cleaned and repaired where necessary.
With the improvement of social conditions and higher hygiene standards, changes slowly but surely occurred in this area, including the obligation to make graves sufficiently deep. A law to prohibit burial within towns and villages, following foreign examples, could not yet find favor in our country. People could not bring themselves to take the major step of breaking with all traditions and leaving the dead “just anywhere in the ground” far outside the village.
Stumph was a proponent of burial outside the village; he decided to have an “Outer Cemetery” created in one of the Smees meadows. In 1818, the foundation deed and will were drawn up. Christiaan Casper Stumph passed away on January 6, 1820. According to his last wish, he was buried at the old Smees. This site is still recognizable today as a burial mound, located on Nannielaantje.
Frederik Willem Jacob Immink was born on 24 August 1822 in Ootmarsum, the son of the Reverend Petrus Immink and Aleida van Laer. On 18 July 1854, he married Anna Beatrix Scheij (Oldenzaal, 29 July 1821) in Borculo.
From 1852 to 1855, he was the Clerk of the Court at the District Court in Aalten. Subsequently, he served as District Judge in Aalten from 1855 to 1877. Following this period, he was appointed District Judge in Groenlo.
Advocate, notary, land clerk, Justice of the Peace, acting Mayor of Aalten, and deputy bailiff.
Abraham Casper Salomon ten Bokkel was born on 1 November 1761 in Bodegraven, the son of the Reverend Theodorus ten Bokkel (baptised in Aalten on 23 June 1728) and Margaretha van Hoeij. Ten Bokkel studied in Harderwijk (enrolled in 1786).
On 29 April 1787, he married Gesina Geertruid Schaars (Aalten, 15 March 1767) in Terborg. This marriage produced four daughters, two of whom died shortly after birth:
An advertisement from 1797 was found in which Ten Bokkel is mentioned as an advocate involved in the sale of the substantial Lohn House, just across the border in Südlohn (D). In 1803, a similar advertisement was discovered concerning the sale of Sinderen House.
Sale of Lohn House – Rotterdamse Courant, 12 September 1797
In 1823, Ten Bokkel lived on Landstraat in Aalten, at what is now number 17.
Abraham Casper Salomon ten Bokkel died on 29 May 1831 in Dinxperlo.
Abraham Antonij Stumph was born on February 4, 1784, in Aalten, as the son of the first mayor of Aalten, Christiaan Casper Stumph, and Jeanne Lesturgeon.
Abraham Antonij Stumph passed away on July 23, 1818, in Aalten. He had drowned in the Slingebeek at the age of 34. Local folklore suggested that his death was related to a broken heart. His body was buried on the family estate ‘t Smees, in the burial mound on the Nannielaantje.
Staatkundig Dagblad van het Departement van den Boven-IJssel, March 10, 1812
Otto Hendrik Roschet was an ‘imperial notary’ in the canton of Aalten in the early 19th century. He was baptized on November 24, 1769, in Arnhem, as the son of Willem Hendrik Roschet, steward of the ‘t Loo estate in Apeldoorn, and Arnolda Elisabeth Wakker. The surname was originally written as ‘Rochet’.
The first mention we have found of O.H. Rochet in Aalten dates from 1809, during the French period, with his profession listed as ‘lawyer’. In 1812, he was appointed notary in the canton of Aalten by imperial decree. In 1813, he lived on Kerkstraat.
His younger brother Theodorus Gerardus had settled in Aalten as a pharmacist in 1802, but passed away in 1804 at the age of 28 from “a severe putrid fever”. Whether Otto Hendrik was already living in Aalten at that time is unknown to us.
The last mention of Roschet as a notary in Aalten that we found dates from 1815. The next mention of him was found in the Arnhemsche Courant of February 6, 1816, in which he is listed as the steward of ‘t Loo in Apeldoorn. Subsequently, he was mentioned in the Arnhemsche Courant of April 4, 1816, as the acting mayor of Apeldoorn.
Otto Hendrik Roschet passed away on November 21, 1824, at the age of 55 at ‘t Loo in Apeldoorn. At that time, he was an overseer and captain in the garrison company there.
Staatkundig Dagblad van het Departement van den Boven-IJssel, June 13, 1812Feuille Politique du Département de l’Issel-Supérieur, February 2, 1813Opregte Haarlemsche Courant, November 27, 1824
Jan Willem (Willy) Walvoort was born on July 17, 1935, in Aalten, as the son of factory worker Johannes Walvoort and Berendina Geertruida Prinsen. He worked professionally as a maintenance man for the Vereniging Volkshuisvesting (later De Woonplaats), but gained local fame as a draftsman and painter. Walvoort captured numerous locations in Aalten, Bredevoort, and the surrounding area. He passed away on January 16, 2018, at the age of 82.
Willy Walvoort (1935–2018)
Youth, education, and profession
Walvoort showed an interest in drawing and painting from an early age. Mr. Siebrands of the Public Primary School in Aalten advised Walvoort’s parents to send their son to the Art Academy. However, his parents were not in favor of this. They considered it more important to “learn a good trade to earn a living.”
After primary school, he attended the Technical School, training in carpentry and masonry. Subsequently, he specialized in technical drawing. His career led him to the Volkshuisvesting, where he worked as a maintenance man for many years.
Oeuvre of drawings, paintings, and illustrations
Alongside his work, Walvoort steadily built an oeuvre consisting primarily of pen drawings and paintings featuring recognizable village and cityscapes. In a 1999 interview, he named the Achterhoek painter Piet te Lintum as his greatest inspiration—“the painting ambassador of the Achterhoek”. Modest as he was, Willy stated in an interview that an excessive amount of talent is not required to draw and paint. “If you are willing and able to put a lot of love and time into it, you will go a long way!”
Walvoort gained fame as a book illustrator in 1995. He illustrated the reissue of Henk Krosenbrink’s novel Het Beloofde Land (The Promised Land). In 1997, he provided the cover illustration for Jos Wessels’ book: Nazareth en zijn katholieken (Nazareth and its Catholics). Nout Wellink, then president of the Dutch Central Bank and born in Bredevoort, was presented with the first copy.
Final years and passing
In the final stage of his life, Walvoort spent some time in a nursing home in Varsseveld. He passed away on January 16, 2018; the funeral took place in private. Hundreds of drawings and paintings in private and local collections keep the memory of this artist alive.
Gallery
A selection of work by Willy Walvoort:
The village school on Landstraat in Aalten in 1824The village school on Landstraat in Aalten in 1824Three Protestant churches in AaltenThe Ambthuis in BredevoortThe Ambthuis in BredevoortMarkt, BredevoortTea house Bredevoort‘t Meestershuus on Geurdenstraat in AaltenDe Wever (later Schepersveld, now Suzie’s Farm), Haart
Antonie (Anton) Kuijsten (1917–2007) was a teacher and headteacher in Aalten, as well as a self-taught woodcarver, draughtsman and watercolourist. From its founding until his retirement, he led the Reformed (Hervormde) School Aalten-Zuid (later renamed De Broekhof). His surname is also frequently spelt as Kuysten.
Kuijsten was born on 5 October 1917 in Huizen. His mother passed away when he was eight years old, but thanks to the way his father supported the family and the live-in housekeeper who remained with them for a long time, he still enjoyed a happy childhood.
After graduating from the teacher training college (kweekschool) in Amsterdam, Kuijsten taught at various locations, including Naarden, Muiden, Rheden—where he met his future wife—and Zutphen. During the final months of the occupation, he went into hiding to avoid being forced to work for the occupying forces. On 11 April 1947, he married Hendrina Groenewoud in Rheden.
Upon the opening of the 2nd Dutch Reformed School Aalten-Zuid in 1954 (which later became the Broekhofschool), he was appointed as headteacher. Kuijsten was renowned as a storyteller who brought history lessons to life “as if he had been there himself”. By 1967, the family was living at Wilhelminastraat 4 in Aalten. He was also highly active within the Protestant Church: for over twenty years, he led the children’s church services in Aalten-Zuid, and he served as an elder for a period of time.
Alongside his teaching career, Kuijsten developed his skills as a self-taught woodcarver, draughtsman and painter. In addition to watercolours, he produced drawings using liquid watercolour (ecoline). He also created items such as birthday calendars. He is featured in the book Kunstig Aalten (2021), an overview of artists from Aalten compiled by Leo van der Linde.
The sudden death of his wife in 1987 was a profound loss. For several years, he laid down his brush and pencil, though he fortunately managed to resume his creative work later on. In the final phase of his life, he faced frail health. Following an admission to the hospital in Winterswijk and a short stay at the ’t Hoge Veld care home, he ultimately passed away in hospital. The funeral took place on 1 December 2007, following a thanksgiving service at the Old Helenakerk in Aalten. He was laid to rest at the Berkenhove cemetery.
Anton Kuysten (1917–2007)Zutphens Dagblad, 10 May 1954
Gallery
A selection of works by Anton Kuijsten:
The Kloosterbos (Monastery Woods) near BredevoortThe Sermon on the Mount, woodcarving‘Beestman’ farmhouse on the Haart near Aalten (rear view)Eskes farmhouse in winter on the Haart in AaltenInterior of the Big or St Helen’s Church in Aalten, south sideHijinkdijk, HaartAkkermateweg, LinteloCountry lane on the Akkermateweg in Aalten
Joop and Truus Doodeheefver were an artist couple who moved from Amsterdam to Aalten in 1973 and remained active there for decades. In Aalten, Joop (1924–2001) focused on drawings and transparent watercolours of landscapes and farms. Truus (1928–2004) created portraits, animal figures and independent work in bronze, aluminium and wood. They regularly exhibited together within the region and further afield.
Johannes Christoffel (Joop) Doodeheefver was born in Amsterdam on 6 June 1924. He trained in the studio of Nel Fernhout and worked for approximately thirty years as a designer-colourist at his father’s wallpaper factory, the firm Rath & Doodeheefver. In 1945, he married Truus Kremer.
Geertruida Jeannette Frederika (Truus) Kremer was born in Leiden on 15 February 1928. Shortly afterwards, the family moved to Amsterdam. She learned sculpting from Adrianus Remiëns and married Joop Doodeheefver in 1945.
Move to Aalten
The couple had long cherished the desire to one day leave hectic Amsterdam behind and settle in the “as yet unspoilt east”. In 1973, they put their words into action and settled with their family at the monumental farmhouse De Kiefte in the Aalten hamlet of Heurne.
Here, Joop dedicated himself to sketching and painting watercolours of the surrounding landscapes and farms. He also undertook a great deal of commissioned work to capture objects, individuals and landscapes for future generations. Additionally, he provided the illustrations for the book De Freule van Dorth (The Noblewoman of Dorth), written by Ben Bekker (1974).
Truus sculpted naturalistic portraits and animal figures, and also produced woodcarvings. A well-known piece by her hand is the statuette of Hendrickje Stoffels at ’t Zand in Bredevoort (1977).
They exhibited successfully both jointly and individually, both in the Netherlands and abroad.
Gallery
A selection of works by Joop and Truus Doodeheefver:
Hendrickje Stoffels, Bredevoort (Truus Doodeheefver)Small stream behind De Kiefte (Heurne), by Joop DoodeheefverDe Freule van Dorth, written by Ben Bekker and illustrated by Joop Doodeheefver (1974)
Bernard Leezer (57) lives in Aalten in the Achterhoek. Although he ran a butcher’s shop for twenty-six years, he does not really consider himself a butcher. He is a father of three sons and a daughter, and a grandfather of two. A conversation about meat, hiding from the Nazis, and football
“Both my parents have passed away. My father was a cattle dealer and my mother came from a well-to-do family in Wilhelmshaven in Northern Germany. She didn’t really suit my father at all. He was a stubborn man from Groningen who didn’t care much for etiquette. It caused friction. If my father came home and forgot to wash his hands before dinner, all hell would break loose. Of course, he wasn’t the type to just let himself be pushed around, so he’d fight back. And then my mother would say: ‘Na und wie bist du denn, wie bist du denn überhaupt?’ Mother spoke German at home. She spoke fluent Dutch too, but she hardly ever used it. I was raised bilingual.”
“My mother’s father was a horse dealer. She always used to go to the tennis court in a pony and trap. Anyone who did that back then belonged to the upper class. That’s why I always say my parents only met out of necessity. She fled to the Netherlands in 1932 with her two children—both my father and mother had been married before. My father had six children from his first marriage. Two of his children, one with a husband and child, were gassed. I am the only child from the second marriage.”
“My mother was a dominant woman. She always protected her own children, while my father’s children had to take a back seat. They had to fend for themselves from an early age. Of course, it wasn’t easy for them to accept a woman who wasn’t their mother either. Father was the kind of man who, for the sake of peace, would just think: Never mind. Let it be.”
“I was heavily influenced by my mother. If I wanted to go on holiday, she would say: ‘Du brauchst nicht so weit weg, wenn etwas passiert. When you are old enough, you will look for a wife and go to work.’ I became a butcher against my will. I actually wanted to be a pilot. Mother wouldn’t hear of it. So a butcher it was, but I’m not really a butcher at heart. I’m too emotional. I am against ritual slaughter because I believe an animal has the right to be stunned. God gave us the animals. Fair enough, but does a beast have to suffer that much pain before we scoff it down?”
“The first Jews to be rounded up were the Fuldauers. They lived right near us. They were taken away by PC Dijke from Aalten. He was a small, fanatical bloke. The Fuldauer family walked along packed to the rafters, and he walked in front, loosely wheeling his bicycle by his side, leading those people to the community hall. That’s where the Jews were gathered before being transported to Westerbork. People were standing outside the slaughterhouse, and they said: ‘Alright Dijke, you can keep that up all day, can’t you?’ Then my mother said: ‘It’s time. We have to leave.’ After the war, that Dijke fellow came into our shop once. I walked around the counter and said: ‘Get out, Dijke, and never come back, or we’ll cleave you in two.’ He was the man who took away the first Jidden from Aalten, and he just strolled in as if nothing had happened.”
“Kees Ruizendaal, nicknamed Zwarte Kees (Black) Kees)—also a policeman, but a good one—helped us find a hiding place. He was later executed by firing squad in Doesburg. First, I stayed with my half-sister Helga at the Klein-Entink farm, and later with my parents at Hendrik Groot-Nibbelink’s place on the Stroete in Lintelo. We were hidden with three orphans. They were practically children themselves. Drika, the oldest, was 26; Hendrik and Bernard were in their early twenties. To me, they are heroes. You know what would have happened to them if we’d been caught. They were Christian people. They did what they did out of love, not for the money. I think about that often. I find what they did incredible. Hendrik passed away last year. The vicar gave a beautiful sermon. I went and sat in the refreshment room. I felt that if I looked at the vicar, I’d get such a massive lump in my throat. I couldn’t well let myself go like that as a grown man, could I?”
“While we were in hiding, I used to go outside with Hendrik at night once it was dark. Next to the farmhouse stood an old apple tree. It leaned terribly and had to be propped up. Between the props was a tiny patch of land. If Hendrik had sown rye that day, for instance, I would go and sow rye on that little patch of land at night. He was my great role model; that’s why I was so heartbroken when the man died. He was like a father to me.”
“I spent a lot of time with the cows or with the horse. The Germans requisitioned Lies—that was her name—at one point. She was a right handful. She bit and kicked everyone except me. I could practically sleep right next to her. Hendrik managed to fetch Lies back because the Germans couldn’t control her. I was so happy she was back. At least I could cuddle her again. Drika used to play games with me. My father was too old to play with me. He was terrified that something would happen to me. I don’t know if he would have survived it. He was completely barmy about me. Later on, when I started going out and came home late, he could never go to sleep. He always stayed awake and would say: ‘Where on earth is that boy?’ My mother was more down-to-earth.”
“For a while—when it became too dangerous at Groot-Nibbelink’s—we also stayed with the Pennings family in Varsseveld. They were a very devout Christian family. During the war, he would go to Delft with a horse and cart to fetch glass. He sat on the box with the reins in one hand and a Bible in the other. Pennings had nine children. I often sit by the brook now, thinking: what must have gone through that man’s mind. He had to keep the peace in his family, keep us calm, and keep a cool head himself. The house was searched once at Pennings’ place. We were hidden under the straw along with sixteen other Jews and people from the underground resistance. One of those ‘blacks’ [NSB/collaborators] stood with his great boots right on my mother’s hand. He crushed her whole hand. Pennings was downstairs playing the organ: Abide with Me. Every time I hear that hymn, it takes me right back.”
“We hid with true Christians, and later I went to a Christian school. But I never felt the urge to become a Christian. My half-sister Helga joined the Reformed Church. Well, that took a few drops of water, but that was about the extent of it. Truly, you can have a stable full of Trakehner and Hanoverian horses, but if you put an Arabian among them, it stands out. You cannot deny who you are. The first thing people say is: ‘That’s a real Jewish trick.’ At home, my father and mother kept Jewish life alive for me. My mother wasn’t particularly pious. My father was orthodox. His whole life, even during the war, he never ate gasser (non-kosher meat). You are a Jid, and there’s no escaping it. I’ve always said: ‘I was born a Jid, and I’ll die a Jid.’”
“I couldn’t live in Israel because of the heat, but when I’m in Eretz, I love it. We go there regularly because our daughter lives there. When I go to shul here, I think pff, but there I think it’s wonderful. Afterwards, you stand around having a nice little schmooze with a group. You can’t do that here anymore. You could before the war. Before the war, about a hundred Jews lived in Aalten. After the war, we struggled to form a minyan. It’s just a completely different atmosphere. You can’t imagine walking down the street in Aalten wearing a kippah nowadays.”
“I can’t say I was frightened at the time. I can only remember that after the war, when I was at school, I was scared to death of the postman. I went to the Groen van Prinsterer school. It was an old-fashioned school with a very long corridor, with the toilets at the far end. If I came out of the toilet and Mr Terbrake was standing at the other end of the corridor in his postman’s uniform, I’d be rooted to the spot because I thought I’d seen a ‘black’. That’s what happens when you’ve spent years being told: ‘They’ll kill you.’ Terbrake would quickly go to Miss Jonker and say: ‘Bennie’s frozen at the end of the corridor.’ She would come and get me. She’d put an arm around me and take me back to class.”
“The Groen van Prinsterer was a fantastic school. It was a Christian school. I never once heard the word ‘Jew’ used as an insult there. It was quite a different story at the public school. I had to have remedial lessons because at eleven years old, I couldn’t even read or write. While in hiding, we did read little booklets, and when the war ended, my father said: ‘He reads like there’s no tomorrow.’ But you mustn’t forget that if you read me a booklet like that a thousand times, I’ll eventually know it by heart. At first, they fell for it, but the moment a different book was put in front of me, I couldn’t make head or tail of it.”
“During the war, I wasn’t aware that it was a matter of life or death. No one can tell me that an eight-year-old boy understands that. We were told: ‘You mustn’t go outside because people are walking around out there who will kill you.’ That doesn’t really sink in for a child. You can tell a dog a thousand times: ‘Leave that alone.’ And eventually, it won’t touch it anymore. But as for why it’s forbidden—it doesn’t understand that.”
Aaltensche Courant, 4 May 1945
“During the final period of the war, we stayed with Hendrik on the Stroete again. We lived there for the first few months after the liberation too, because we no longer had a house. My mother went looking for her furniture. She managed to get a lot of it back. My father took out a loan from a Christian church. He was a bit casual about paying it back; years later, we still received a final notice. Right after the war, he put an advert in the newspaper: ‘After two and a half years in hiding, I am reopening my butcher’s shop’. My father wasn’t a good butcher. He was a cattle dealer. A proper trader. Very much a case of: one, two, up you get, just sign for that beast.”
“After primary school, I went to the technical secondary school. I didn’t want to go at all, but my mother said: ‘Du sollst ein Handwerk lernen.’ I ended up getting a whole load of diplomas. Alongside that, I always did a lot of sport: tennis, hockey, and football. My father wouldn’t give me money for football boots. ‘You’ll just have to earn it,’ he said. I always had to help my father, but I never got paid for it. My brother-in-law ran an emergency slaughterhouse. If there was an emergency slaughter in the middle of the night, he’d ring and wake me up, and I’d go and help him. I didn’t get any money for that either, but I did get the head, the tongue, the udder, and the liver, and I sold those. That’s how I bought my football boots.”
“I played as a semi-professional for De Graafschap. I moved from Aalten Football Club to Winterswijk Football Club. WVC was an elitist club. Because I went to school in Winterswijk and was in the school team, I caught people’s eyes. When I moved from Aalten to Winterswijk, I was called a ‘rotten Jew’. Why? I was turning my back on Aalten. WVC was an elite club, and they hated them. I was a really fast right winger. But I was very slightly built. They only had to tap my ankle and I’d go rolling over thirty-four times. Later on, I played centre-forward too. I was actually too small for it, but I’d always go tumbling to the ground, and that would get the referee on our side. I played two seasons for De Graafschap, until one day I was kicked out of the match by Dick Tol, nicknamed ‘the gnarled’.”
Leezer butcher’s shop, Peperstraat (1975)
“In the end, I ran a butcher’s shop for 26 years. Looking back now, I say: ‘I’d never want to do it again.’ A hundred grams of this, a hundred grams of that. Never again, though I did have some fun. Especially in the early sixties, we got a lot of German customers. Meat was cheaper in the Netherlands than in Germany. You had to be careful not to give the Germans preferential treatment, otherwise you’d get earfuls from the Dutch. Dutch customers were always served immediately by my assistant or my wife. Even if there were three Germans ahead of them, a Dutch person was served first. I’d make a joke of it and say: ‘Kurt, ich hilf dir’.”
“In the evenings, the restaurant owners from Bocholt would come in and order ten or fifteen racks of pork chops. There were a few customs officers who always came to get meat. They never had to pay. When they came by, they’d say: ‘Blimey, I’m on duty again tonight.’ And then in the evening, I’d get in my little Opel, take out the spare wheel, put the racks of chops in, and pop right over the border. I could always drive straight through. My wife knew nothing about it, and I thought: what she doesn’t know won’t hurt her. It was a time of adventure and wheeling and dealing.”
BREDEVOORT – If you do not know him, it would never cross your mind for a single moment that this man’s profession might be that of a bank manager. Bank managers are generally expected to walk around with permanent pound signs in their eyes, but Jan Elferink certainly does not fit that mould. He is witty, always up for a laugh, a fast talker, and never caught off guard. Yet the residents of Bredevoort who deal with Jan Elferink on a business level know that beneath this jovial friendliness lies a sharp businessman—a man who truly knows what he is talking about when it comes to financial matters.
Jan Elferink: “Here, you are engaged both financially and socially”
He certainly learned that over the course of his 42-year banking career. This year, Jan is stepping down. As of 1 September, after he has shown his successor, G.W. te Brinke, the ropes, he will take early retirement. “I am 60 now, and the years beyond sixty are precious. That is why I am bowing out. I still have plenty to keep me occupied. I’ve already told my wife: if I do the work during the day that I currently do in the evenings, I will at least have a few evenings a week to myself,” Elferink says, explaining his departure.
It was 42 years ago when, at the age of 18, he started at the Raiffeisenbank in Lichtenvoorde. “I had always wanted to do that. But when I finished secondary school (ulo) in 1943, my father told me I had to help out in his painting business. Both of my brothers had been conscripted for forced labour in Germany, so I had no choice.”
However, the war was barely over when Jan saw his chance. The post-war monetary reform meant that banks had to take on extra staff. On 1 October 1945, he was hired, and exactly a year later, he transferred to the bank in Bredevoort. “When I first arrived here, I thought: I’ll gain a few years of experience and then move on to another town. But it never came to that. We feel very much at home here in Bredevoort. Happily, we were fully accepted into the community.”
For twelve years, Jan cycled back and forth between Lichtenvoorde and Bredevoort every day, until he married in 1958 and became a true Bredevoorter. You can certainly call him that when you see how deeply integrated he has become in the Bredevoort community.
A hardheaded business
In 1963, Jan was appointed manager of the bank in Bredevoort. “Banking is a hardheaded money business. That really consumes your time. Perhaps that is why, as a counterweight, I took on all those pleasant and social activities outside of my work.”
When Jan begins to list the activities he is or has been involved in, he takes quite some time. The local folk festival, the gondola pageant, the ice rink, board member of the school association, board member of St Bernardus, and so the list goes on. And that is leaving aside all the “ad hoc things” he occupies himself with, such as conducting charity auctions, organising carnival gatherings for the Zonnebloem charity, acting as a compere for the traditional brass band in Lichtenvoorde, and performing as a buutreedner (comic orator) during the carnival season.
“I wanted to call it a day when my partner, Bonekamp from Lichtenvoorde, stopped. But so many requests came in from all sides that I still write a new comic monologue every year. All of that keeps you going. From a young age, I’ve loved being a bit of a rebel. That was already the case at school, and later at the amateur dramatics society, which I joined when I was only fourteen.” His penchant for fun is also well known among his fellow bank managers, who know him affectionately as “Enerink from Smallevoort”.
Elferink makes no secret of the fact that the work of a bank manager in a small community like Bredevoort is rather different from that in a large city. “Here, you are not just engaged financially, but socially too.” Elferink has seen the banking world change dramatically in over forty years: from a small room with a single desk and a safe where savings books were updated by hand, to an exceptionally modern, automated office building where the entire money trade takes place, but where holidays, insurance, and securities are sold as well.
G. te Brinke now manager
BREDEVOORT – As of 1 July, G.W. te Brinke from Lochem will join the Rabobank in Bredevoort as its new manager. Te Brinke was born and raised in Zelhem and is 41 years old. He began his banking career in Doetinchem in 1966 and has been working in Lochem since 1977.
Pieter (Piet) Bloot (1924–1982) came to Aalten from the bombed city of Rotterdam in the summer of 1940 as a sixteen-year-old boy. On the initiative of the Calvinist (gereformeerde) minister Th. Delleman—formerly a minister in Aalten and later in Rotterdam-Kralingen—an appeal was published in the Aalten church magazine to offer Rotterdam children from affected families a carefree summer holiday. Piet was one of the fortunate ones.
What began as a holiday turned into a five-year stay. During this period, Bloot worked in the horn industry in Aalten. Because he had a passion for drawing, he returned to Rotterdam after the liberation, where he studied commercial drawing at the Academy of Fine Arts.
However, Piet could no longer settle in Rotterdam and returned to the Achterhoek region at the end of 1947. He went to work for the electrical installation company ERBA Van Lochem in Aalten. In September 1949, he met Johanna Wildenbeest, who was born at the De Kiefte farmhouse in De Heurne. They married in 1952 and had three children.
In the early 1950s, Bloot and his colleague Leendert Rhebergen started their own business at the bottom of the Hogestraat: Rhebergen en Bloot, an electrical installation company with a shop selling electrical appliances.
Piet Bloot passed away on 30 January 1982, aged 57, and was buried at the Berkenhove cemetery.
Publications
In 2016, the Fagus publishing house released Zo ik niet had geloofd, brieven van mijn moeder (Had I Not Believed: Letters from My Mother), based on around 160 letters and postcards his mother had sent him from Rotterdam between 1940 and 1945, supplemented by his own memories. Bloot is also featured in Kunstig Aalten (2021), an overview of artists from Aalten compiled by Leo van der Linde.
Gerrit Johan Kaemingk was born on November 2, 1890, at Overbeek in IJzerlo, son of Theodor Johann Kaemingk and Johanna Hendrika Pennings. In 1917, the then 27-year-old teacher left the Netherlands to work in the ‘far Indies’.
The journey was indeed very long, as World War I had blocked the normal travel routes. After a four-month journey via Iceland, America, Honolulu, Japan, and China, he finally reached his ideal. There, he became, among other things, head of the Idenburg School in Solo (Surakarta).
After twenty years, he retired and set out on another journey. On his way to the Netherlands, he wanted to see South Africa. He arrived there in 1937. And because he did not yet consider himself ‘worn out’, he became a temporary teacher there. Before he could realize his plan to return to the Netherlands, World War II broke out.
As a result, it was not until the summer of 1953 that he saw his native country again. The twice-retired teacher stayed temporarily in Hoogeveen with his brother Gerrit Willem Kaemingk (1887-1979), who was then chairman of the Christian Emigration Center in Drenthe.
Invention of electric education, the ‘Elucator’
Once back in the Netherlands, Kaemingk presented his invention, namely ‘electric education’. He called his method “Elucator“, a combination of electricity and educator (or educator). He had applied for a patent for his invention in South Africa. It worked as follows:
Using a battery, a low-voltage current is passed through two insulated pointing sticks. With one stick, a location is pointed out on a map, and with the other, one of the place names listed in a row on the right of the map. If the correct location is pointed out, this is signaled by a light or sound signal. Conversely, one can also search for the correct location for a given place name.
In addition to geography, Kaemingk had also designed maps for subjects such as drawing, language instruction, reading lessons, botany, and history. In total, about 50 maps could be compiled. The Elucator and its accessories could be carried in a handy box that easily fit into a briefcase. With this, he had developed an educational method that was said to have several advantages. For instance, the teacher would have become (virtually) redundant. The child could study alone at home or in class, and any error was immediately corrected.
Gerrit Johan Kaemingk and Truus ten Boom (photo: Kaemingk family)Idenburg School, Solo (Surakarta), Dutch East Indies Obituary Gerrit Johan Kaemingk
The Elucator was considered particularly suitable for (countries such as) South Africa, where children living in remote areas found it difficult to attend a school. However, a number of educational experts in Utrecht, who were introduced to Mr. Kaemingk’s invention, were also enthusiastic. Children found the Elucator to be ‘a relatively inexpensive parlor game with many possibilities’. The visual connection, which was directly established here between an object and a word, a plant and its name, or a sum and its result, seemed to ‘have a very favorable effect on the child’s comprehension’.
Back to South Africa
After his visit to the Netherlands, he returned to South Africa, where two of his sons-in-law had a farm. He passed away on February 22, 1963, in Glencoe, Natal, South Africa.
Evert Jan van Schaik (1881–1947) was a doctor in Aalten from 1912 to 1946. He was renowned for his expertise, dedication and humility, always prioritising the welfare of his patients and the community. Van Schaik remained unmarried and passed away in 1947 at the age of 65.
Evert Jan van Schaik was born on 30 November 1881 in Wapenveld, in the municipality of Heerde, the son of Paul van Schaik, a minister in the Christian Reformed Church, and Maria van de Kamp. Due to his father’s profession, the family relocated several times during his early childhood: first to Hoofddorp (1882), then to Middelharnis (1884) and later to Nieuw-Lekkerland (1890).
After completing primary school, Evert Jan attended the Reformed Gymnasium in Amsterdam. He subsequently studied medicine at the Municipal University of Amsterdam, where he obtained his medical degree in 1912.
Doctor in Aalten
On 9 December of that same year, 1912, he settled in Aalten, taking over the general practice of Doctor Van Leuven, who had passed away shortly before. Initially, he resided at the De Roskam hotel on the Landstraat. A few years later, he moved to the former Roman Catholic presbytery on the Dijkstraat, where four of his unmarried sisters later came to live with him.
Much like his predecessor, Doctor Van Schaik quickly gained appreciation for his expertise and commitment. He enjoyed the deep trust of his patients and built a solid reputation. His approach to his work was characterised by thorough conscientiousness. He took almost no holidays, running his practice for years on end without even considering taking time off.
Although he dedicated himself almost entirely to his medical practice, he also took an interest in church and state affairs. This interest was backed by extensive knowledge, though he chose not to seek the spotlight.
Recognition and Final Years
In 1937, on the occasion of his silver jubilee as a general practitioner in Aalten, a committee formed by local residents organised a celebration in his honour. Van Schaik was praised for his faithful devotion and quiet strength, as someone who never sought prominence but always put his patients and the community first. His great humility made him a beloved figure to many.
However, the demanding practice took a heavy toll on his strength. A few years after his jubilee, he received assistance from Doctor D.N. Visser. As his health declined, Van Schaik gradually handed over more of his workload. In January 1946, he retired from his medical duties permanently, at which point Doctor Visser took over the practice entirely.
Evert Jan van Schaik passed away in Aalten on 18 June 1947 at the age of 65. He was laid to rest at the Berkenhove cemetery.
Dr. Evert Jan van Schaik (1881–1847)De Graafschapper, 11 December 1912Aaltensche Courant, 20 June 1947
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